When Aeschines spoke, they said, "How well he speaks, what glorious words, what magnificent tones!" But, when Demosthenes spoke, they shouted, "Let us march against Philip now!"
Neil is the founder of Lawrence Creative Strategy, as well as the Executive Creative Director of STW, Australia's largest communications group.
Neil was the strategic and creative mind behind the
Australian Labor Party's winning 'Kevin 07' advertising campaign,
for which he was recognised as 'Australian Marketer of the Year' in
2007. In 2009, Neil was responsible for the marketing campaign
behind Anna Bligh's bid to be elected Australia's first female
Premier. In 2010, he ran the Minerals Council of Australia's
successful campaign opposing the resources super tax to 'Keep
Mining Strong.'
His work combines creative flair with a deep understanding
of highly complex, strategic political and corporate issues. This
approach has also been used on corporate positioning and merger and
acquisition campaigns for clients such as Wesfarmers, AGL, and BHP
Billiton.
More recently, Neil's pro bono campaign for indigenous
nonprofit GenerationOne was viewed by 6 million Australians in one
night, resulting in 2.4 million hits to the movement's website and
a 20% boost in national awareness of GenOne and its goal of ending
the disparity between indigenous and non-indigenous Australians in
one generation - ours.
Neil has represented Australia internationally as the
Chairman of Judges at the Irish International Advertising awards
and on the film jury at Cannes. He writes regular columns analysing
campaign strategy for The Australian, and appeared on ABC TV's
series Gruen Nation and The Drum focusing on political
campaigns.
A political election campaign is one of the great challenges in modern communications.
2007 was regarded as the first digital election campaign, with
Labor establishing its dominance of the use of internet media such
as the Kevin07 website, YouTube, Facebook and MySpace.
Combined with the '24 hour news cycle,' the volume of work was
larger and turn-around times shorter than any election campaign
before it.
Ultimately, there were four factors unpinning our success:
• A rigorously-considered communication
strategy.
• The ability to work at a high level with
the ALP Leadership Team to consistently deliver a highly focused
message.
• The courage to be pre-emptive at
important moments.
• The discipline to stay on that strategy
while still being responsive to events as they unfolded.
Anna Bligh faced several obstacles in her bid to be Australia’s first directly-elected female Premier.
Against a background of the Global Financial Crisis, Queensland
Labor had been in power for 11 years and was facing its first
serious opposition in the face of a newly-united and on-message
Liberal National Party.
Rather than focusing on the past and Labor's track record, our
strategy was to hammer home Anna Bligh's positive plan to protect
jobs and keep Queensland strong in uncertain economic times.
Advertising was used effectively to contrast Anna Bligh's strength
with Opposition Leader Lawrence Springborg's inability to recognise
that Queenslanders were affected by the global recession.
With a web and social networking strategy reinforcing these
messages, the advertising campaign finished strongly by
highlighting the risk Lawrence Springborg and his inexperienced
team posed the people of Queensland.
Anna Bligh created history and defied opinion polls to win the
Queensland election and earn the Labor Party a fifth consecutive
term.
How do we get the energy we need, while reducing global greenhouse emissions?
Coal is Australia's principal
energy source, providing 40% of our energy and 81% of all our
electricity. In 2008-2009, export revenue from coal was a record
$54.7 billion, vital income to support services we need like
hospitals, roads and schools, and to help cushion Australian
against the global financial crisis.
The Australian coal industry plays a vital role in our energy
security, economy and community, and will for decades to come. The
flipside is its negative environmental impact. Coal is a major
source of Australia's greenhouse gas emissions, up to 37% of total
emissions at last count.
Lawrence Creative Strategy advised the Australian Coal Association
from 2008 - 2010, conceiving the NewGenCoal communications
initiative. Launched with a national press campaign, the NewGenCoal
website showcases the ACA's acknowledgement of the science of
climate change, and its well-funded commitment to accelerating
carbon capture and storage as one part of a climate change solution
alongside renewables like wind and solar.
To interact with the public and help spread understanding about
the problems of climate change and energy security, the website
features a fully-resourced social media strategy including a
daily-updatedblog,Twitter feedandYouTube
channel.
Australia's biggest company, BHP Billiton had not engaged in communications to the general public for many years when they approached Lawrence Creative Strategy for communications advice.
At the time, Marius Kloppers had been appointed CEO, the rapid
growth of China had led to growing demand for resources, and BHP
Billiton was the 'Official Diversified Minerals and Medals Sponsor'
of the 2008 Beijing Olympic Games. It was time to refine BHP
Billtion's branding to communicate who they are and - globally -
what they do.
LCS developed the company's new positioning statement, "Resourcing
the Future," launching it with a creative campaign to communicate
the BHP Billiton story. Devising the strategy required a thorough
understanding of specialised groups from Europe, China, Australia
and America which ranged from investment bankers, Government
Committees, unions, environmental groups and 'Mum and Dad'
investors. The campaign included an internal launch, website
enhancements, and an extensive print and online advertising
campaign in Australia and China to communicate BHP Billiton's
sponsorship role in the Beijing 2008 Olympic Games.
To launch the Football Federation of Australia's bid for the FIFA World Cup, the world's first sporting social network-driven grassroots movement was created to showcase our national enthusiasm for hosting the World Cup in 2018 or 2022.
Lawrence Creative Strategy created a two and a half minute film
inviting the world to "ComePlay" and showcasing Australia as the
'world's best playground.'
The film directed people to the official bid website - the
centerpiece of the bid campaign - australia2018-2022.com.au.
The site encourages the public to join in the movement, take action
and help win the bid.
Within 24 hours there were 25,000 visits, 170,000 page views, and
people spent on average nearly 7 minutes exploring the site.
The growth of the movement is constantly updated on the site, a visual
expression of the Australian public's passion for football and the
bid. With FIFA deciding on the host for both the 2018 and 2022
World Cups in 2010, the site will act as a dynamic and compelling
argument in favour of our bid.
Partners STW: Rose Herceg and Jonathan Swan
Film: Director: Mark Toia, Art Director: Adam Whitehead/STW,
Production company: Zoom FilmTV,
Music: Song Zu, Editor: Drew Thompson/Guillotine
Digital Agency: David Trewern, Michael Trounce, Adam Morris and
team/DTDigital
With a major factory in Brisbane, and plants all over Australia,
Australian Aerospace is at the heart of the growing Australian
Aircraft industry.
Part of the European Aeronautic Defence and Space Group,
Australian Aerospace already assembles and maintains helicopters
and fixed wing aircraft for the Australian Defence Forces, and is
part of the Eurocopter Global supply chain.
Recently Lawrence Creative Strategy provided the strategy,
advertising and presentation material to help Australian Aerospace
become part of the Government tender to supply new helicopters to
the Royal Australian Navy.
The campaign emphasised the modernity and product superiority of
our client's NH90 NFH and the significant contribution to the
economy that would occur with the NH90 NFH being built in
Australia, through new skilled jobs, research and technology
transfer.
In 2010, the Australian Government announced a new mining tax, the Resources Super Profit Tax (RSPT). With little warning or consultation beforehand the tax, worth billions, caught the industry by surprise.
Lawrence Creative was approached by the MCA to provide a
counterpoint, highlighting the flaws in the tax, and illustrating
the important role the minerals industry plays in the lives of all
Australians. Hurt mining and you hurt Australia. The message: Keep
Mining Strong.
Between March 9 and June 24:
A campaign website, the first iteration of which was built in
only 2 days, became an information centre for facts. This grew with
the campaign, with 2 major upgrades adding in new tools,
information sources and instructions on how to take action.
Over 20 different print executions, 8 radio ads and multiple
TVC's featuring facts and figures, and stories from Australian's
all over the country who would be impacted by this tax.
Demonstrated the importance of mining, demonstrating the
benefits, both direct and indirect, that the industry brings to
every Australian.
On June 24 a ceasefire was agreed to, calling for a halt in
advertisements from both the MCA and the Government. Ultimately,
the tax was abandoned in its flawed form and a more acceptable
alternative agreed.
Generation One is a movement to bring all Australians together, to end the disparity between indigenous and non-indigenous Australians in one generation. Our generation.
This message needed to be heard, we needed the attention
of the nation.
We spoke to media companies all around Australia. We
wanted 2 minutes of free air time; not for an ad, but for an
address to the nation.
With donated space from Newspaper and online media
companies, we announced an address. Through Twitter we monitored
the buzz and the speculation. Then on a Sunday night, for the first
time ever, a non-political address was broadcast across all free to
air channels. Maddy, a 13 year Aboriginal girl spoke to 6 million
Australians.
In 24 hours
2.4 million hits to the website
10,000 watched the address online
In the first week
15,000 joined the movement
28% increase of awareness for GenerationOne
In total, an estimated $4million of advertising space was donated
by a range of media companies. In addition, the address sparked
earned media coverage across television, radio and online.
With the attention of 6 million Australians, GenerationOne
stopped the nation, and made them listen.